Mixing
- Stereo, 5.1, 7.1 and Dolby Atmos
- Theatrical, festival, broadcast and streaming deliverables
- Score mixing
- Audio description and commentary mixing
Services
Creative
Sound editorial and design
- Dialogue editing
- Sound effects editing
- Sound design
- Foley recording and editing
- ADR, including remote sessions over Source-Connect
Music and awards specials
- Post-production for recorded concerts and award shows
- Multitrack editing and cleanup from the show recordings
- Dialogue editing and cleanup
Games
- Sound design
- Voice-over recording and editing
Podcasts
- Dialogue editing and cleanup
- Speaker isolation
- Mixing
Sending us a project?
Our AAF and OMF delivery specifications explain how to prepare your turnover. If anything is unclear, reach out and we’ll find a solution.
Audio Mastering
Localization
- FFME (fully filled M&E)
- Optionals
- Foreign-language mixes
- Lip-sync, voice-over (UN-style) and lectoring dubs
- Dub cueing and recording
Restoration and remastering
- Multi-tier restoration, from light cleanup to full repair of damaged sources
- Dialogue and music separation for music replacement
- Upmixing: mono to stereo, 5.1 and Dolby Atmos
Conform and QC
- Spec validation
- Spot and full conforms
- Fold-downs: 5.1 to LtRt / stereo
- Loudness compliance
- MXF (OP-1a) and QuickTime wraps
Types of QC
- Full QC
- Spot check
- Source evaluation
- FFME / M&E QC
- Dub QC
- Atmos QC
- Loudness compliance
- Sync and tone checks
- Null tests between versions
Technical consulting
Workflow design
- Pipeline design for audio post production
- Session templates and naming
- Delivery and QC procedures
Automation
- Batch processing
- Scripting for repetitive tasks
- Custom tools for your team
Staff and facilities
- Staff onboarding and training
- Facility troubleshooting